UNEXPECTED CONTEXTS: VIEWS OF MUSIC IN A NARRATIVE OF THE GREAT SCHISM
Identifieur interne : 000180 ( Main/Exploration ); précédent : 000179; suivant : 000181UNEXPECTED CONTEXTS: VIEWS OF MUSIC IN A NARRATIVE OF THE GREAT SCHISM
Auteurs : Renata PieragostiniSource :
- Early Music History [ 0261-1279 ] ; 2006-10.
Abstract
On 11 November 1417, the election at the Council of Constance (1414–18) of Oddo Colonna as Pope Martin V brought to an end a period of almost forty years of instability and crisis within the Church, which had begun with the outbreak of the Schism in 1378. After his consecration, the new pope set out to return to Rome, intending to re-establish there the Holy See, while the Council continued. Martin V entered Rome in September 1420, after travelling through Geneva, Pavia, Mantua, Milan and Florence. In the latter city he resided for almost two years, from 26 February 1419 to 9 September 1420. It was most likely during the pope's residence there that an Italian student in law, Antonio Baldana, wrote and dedicated to him a peculiar work: a narrative of the Schism written in the form of prophecy, in a mixture of prose and verse, Latin and Italian, and accompanied by thirty watercolour illustrations. The only known surviving version of this work is contained in a manuscript now preserved in Parma, Biblioteca Palatina, as MS Parmense 1194. The manuscript has been studied primarily for its iconography, while its musical implications, which form the subject of the present study, have so far passed unnoticed. In fact, as we shall see, Baldana's work is also designed as a framework for a discussion encompassing the disciplines of trivium and quadrivium – a small encyclopedia, where a distinctive connection is drawn between rhetoric, astrology and music.
Url:
DOI: 10.1017/S0261127906000155
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000713
- to stream Istex, to step Curation: 000711
- to stream Istex, to step Checkpoint: 000178
- to stream Main, to step Merge: 000182
- to stream Main, to step Curation: 000180
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">UNEXPECTED CONTEXTS: VIEWS OF MUSIC IN A NARRATIVE OF THE GREAT SCHISM</title><author><name sortKey="Pieragostini, Renata" sort="Pieragostini, Renata" uniqKey="Pieragostini R" first="Renata" last="Pieragostini">Renata Pieragostini</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:55A2D4AB29660981B26194AA6D2C4048493D3FBF</idno><date when="2006" year="2006">2006</date><idno type="doi">10.1017/S0261127906000155</idno><idno type="url">https://api.istex.fr/document/55A2D4AB29660981B26194AA6D2C4048493D3FBF/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000713</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000713</idno><idno type="wicri:Area/Istex/Curation">000711</idno><idno type="wicri:Area/Istex/Checkpoint">000178</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000178</idno><idno type="wicri:doubleKey">0261-1279:2006:Pieragostini R:unexpected:contexts:views</idno><idno type="wicri:Area/Main/Merge">000182</idno><idno type="wicri:Area/Main/Curation">000180</idno><idno type="wicri:Area/Main/Exploration">000180</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">UNEXPECTED CONTEXTS: VIEWS OF MUSIC IN A NARRATIVE OF THE GREAT SCHISM</title><author><name sortKey="Pieragostini, Renata" sort="Pieragostini, Renata" uniqKey="Pieragostini R" first="Renata" last="Pieragostini">Renata Pieragostini</name><affiliation><wicri:noCountry code="no comma">Cambridge University</wicri:noCountry></affiliation></author></analytic><monogr></monogr><series><title level="j">Early Music History</title><idno type="ISSN">0261-1279</idno><idno type="eISSN">1474-0559</idno><imprint><publisher>Cambridge University Press</publisher><pubPlace>Cambridge, UK</pubPlace><date type="published" when="2006-10">2006-10</date><biblScope unit="volume">25</biblScope><biblScope unit="page" from="169">169</biblScope><biblScope unit="page" to="207">207</biblScope></imprint><idno type="ISSN">0261-1279</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0261-1279</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">On 11 November 1417, the election at the Council of Constance (1414–18) of Oddo Colonna as Pope Martin V brought to an end a period of almost forty years of instability and crisis within the Church, which had begun with the outbreak of the Schism in 1378. After his consecration, the new pope set out to return to Rome, intending to re-establish there the Holy See, while the Council continued. Martin V entered Rome in September 1420, after travelling through Geneva, Pavia, Mantua, Milan and Florence. In the latter city he resided for almost two years, from 26 February 1419 to 9 September 1420. It was most likely during the pope's residence there that an Italian student in law, Antonio Baldana, wrote and dedicated to him a peculiar work: a narrative of the Schism written in the form of prophecy, in a mixture of prose and verse, Latin and Italian, and accompanied by thirty watercolour illustrations. The only known surviving version of this work is contained in a manuscript now preserved in Parma, Biblioteca Palatina, as MS Parmense 1194. The manuscript has been studied primarily for its iconography, while its musical implications, which form the subject of the present study, have so far passed unnoticed. In fact, as we shall see, Baldana's work is also designed as a framework for a discussion encompassing the disciplines of trivium and quadrivium – a small encyclopedia, where a distinctive connection is drawn between rhetoric, astrology and music.</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Pieragostini, Renata" sort="Pieragostini, Renata" uniqKey="Pieragostini R" first="Renata" last="Pieragostini">Renata Pieragostini</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/LassusV2/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000180 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000180 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= LassusV2
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:55A2D4AB29660981B26194AA6D2C4048493D3FBF
|texte= UNEXPECTED CONTEXTS: VIEWS OF MUSIC IN A NARRATIVE OF THE GREAT SCHISM
}}
| This area was generated with Dilib version V0.6.33. |  |